For example, a C hexatonic blues scale could be used to improvise a solo over a C blues chord progression. The blues scale can also be used to improvise over a minor chord. Jazz educator Jamey Aebersold describes the sound and feel of the blues scale as "funky," "down-home," "earthy," or "bluesy. The blues scale is also used in other genres to reference the blues idiom. From Wikipedia, the free encyclopedia.
Free kindle Download: 25 minor pentatonic Blues Licks
How To Play Blues Guitar. Archived from the original on Retrieved Between the Licks. The Blues Scales - Eb Version , p.?. Cites Rudi Blesh. Music: In Theory and Practice , Vol.
Seventh Edition. This is called a 3 to 9 arpeggio , an essential learning for any bebop guitarist. The major 7th, either in an arpeggio or from the melodic minor scale, was a popular note choice over minor chords in the bebop era.
One of the most common jazz chord progressions is Rhythm Changes. This first bebop lick in the style of Tal Farlow uses a number of chromatic notes to outline the ii-V-I underlying chord changes. If you run chromatic notes through non-stop 8th notes, the tension from those notes can lose its effect. Using rhythmic motives such as in this lick can help break up your lines, putting more focus on the chromatic notes that create interest in the phrase. In this short minor ii-V-i phrase, you can hear an enclosure being used around the 3rd of A7alt Bb-C-C , as well as the D melodic minor scale being hinted at with the C -D motion in the last part of the phrase.drvpn.mccurdycandler.com/44-azithromycin-vs.php
25 Classic Bebop Jazz Guitar Licks
Now that you have worked on these lines on their own, practice applying them to your soloing when playing over jazz progressions and jazz standards. Will add to my collection to study but too fast! I know some folks color the chord tones to help with the reading and beats.
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Jeff says:. Nachum Pereferkovich says:. Naime says:. Ted says:. The major pentatonic scale is like a stripped down Mixolydian mode. While it is a handy trick to be able to shift your minor pentatonic lines down 3 frets, it is obviously important to be able to see the major pentatonic scale as an entity in its own right. As with the Mixolydian mode, major pentatonic scales are freely combined with the blues scale for a rich flavour.
Visualise them around the following chord shape:. Major Pentatonic Licks for Guitar The major pentatonic scale is a wonderful, simple way to add colour to your blues playing. For example, compare the following: One of the easiest ways to play A major pentatonic lines is to simply move your Minor pentatonic lines down 3 frets. For example, try the following figure over a blues backing track in A: This is exactly the same pentatonic lick played twice, the second time it is shifted down 3 semitones to create the major pentatonic sound.